The Excess of Your Presence Is Requested
I'm reading a biography of Pasolini. When I'm finished, Pier Paolo will be the first (and I predict only) person I will have read two bios of. I'm not quite sure why him, except for my fascination with his death (so you see, I am sure).
I only know one of his novels,
The Ragazzi, which does have an ending of grim genius, its final scene is the most pathetic thing, banally narrated, I've ever read.
Buy it and see, even with my head's up, if Paolo's sucker punch doesn't take you down.
I've watched half the movies and didn't like any of them much, except for the
Decameron. And maybe the
Arabian Nights as soft porn.
Pigsty and
Salo are masterpieces of sustained others-loathing and gigantically perverse artifacts of franco-italo co-productivity, so if you're in the market for that, you'll want to add them to your shopping cart. I don't know the poetry except for a few stray encounters. And the political/cultural journalism not at all.
The book I'm reading now is much better than
the one I read many years ago. It especially makes me want to find a volume each of triple P's pomes and openyawns. I liked the poetic fragment the biographer invoked to set the stage for that final night's miserable adventure:
In reality, I'm the boy,
they're the adults. I who by the excess of my presence
have never crossed the border between love
for life and life...
I gloomy with love, and all around me the chorus
of the happy for whom reality's a friend.I copied it exactly, don't ask me to explain the layout or the ellipsis. I could point out some of the landmarks on the border between love for life and life, though.